Kimbro
is a minor character of invisible man who is first introduced to the reader
when the narrator starts working at Liberty Paints, but as we learn more and
more about the character, more similarities between Kimbro and Bledsoe appear.
The first time the narrator sees Mr. Kimbro, he is “searing violently at the
phone” (198). This is similar to the unmasked Bledsoe we were introduced to
earlier in the novel. This angry characterization of Mr. Kimbro continues as he
gives the narrator a tour of the factory. He is in a hurry and tells the
narrator “This is a busy department and I don’t have time to repeat things. […]
so get your orders the first time and get them right!” (199). The need for
perfection and control reminded me of Bledsoe and his power hunger.
As the narrator continues his first
day of work, he has more interactions with his boss, and the reader is exposed
to more of Mr. Kimbro. One especially important passage was when the narrator
asked about the black liquid being mixed into the paint.
“That’s
it. That’s all you have to do,” he said. “Never mind how it looks. That’s my
worry. You just do what you’re told and don’t try to think about it. […] And
hurry, we’ve got to get this batch off to Washington by 11:30” (200)
The response
from Kimbro is oddly angry, and we see that he is trying to keep the factory
working perfectly. The last sentence tells us that, just like Bledsoe, Mr. Kimbro
is working at the mercy of a larger power, in this case the government in Washington.
Our narrator works well in his new
job, that is until he runs out of “dope”. At that point, Mr. Kimbro tells him
to go get some more, but when our narrator arrives in the designated room,
there are multiple tanks. The narrator is unable to decide which is the
correct, and picks the one that smells and looks the same. He returns to his
job of mixing paint, but when Mr. Kimbro returns Mr. Kimbro realizes that the
paint is ruined.
The manager explodes at the realization
of the mistake, and when he asks the narrator why he chose the incorrect
liquid, he responds “Because it smelled the same” (204). To the reader, we find
the excuse reasonable, but instead Kimbro yells at the narrator “Goddamit, don’t
you know you can’t smell shit around all those fumes?” (204). The whole
situation of Kimbro assuming what the narrator knows is comparable to Bledsoe
and his assumption that the narrator wouldn’t take Mr. Norton to a different
part of the college.
With
all these similarities between his current situation at the paint factory and
his time with Bledsoe at the college, the reader hopes that the narrator will
not make the same mistakes. Hopefully, any traps or tricks will be avoided. Although
the narrator, at some points, seems to think there are tricks being played on
him, our hopes are wrong. That is because I believe the biggest parallel
between the situation with Bledsoe and the situation with Kimbro is where they
send the narrator.
As we recall, Bledsoe gives the
narrator false letters of recommendation and sends him to New York where he
will not be welcomed. Then, after Kimbro has yelled at the narrator, Kimbro
sends him to be the “assistant” for a man who is paranoid about losing his job.
The result is again the same, and our narrator is not welcomed (he ends up
being severely injured by the man he works for). We assume that Kimbro knew
what would happen when he sent the clueless narrator down to the engine room,
and thus Kimbro does exactly what Bledsoe did to the narrator not too long
before.
The main difference between Kimbro and Bledsoe is the facade of a mask that you mention Bledsoe wears. Ellison is extensive in his descriptions about the contrast between Bledsoe around the trusteed and Bledsoe away from the trustees. He acts much more humble and subservient towards the trustees, a side which the narrator is surprised to see. Kimbro, on the other hand, doesn't seem to have any sort of mask at all, as throughout the entire short section in which we observe him he is in a hostile, angry mood towards the narrator.
ReplyDeleteBut it seems that the only reason that Bledsoe created the mask in the first place was because it was required of him to hid his true aggressive self to seem more timid and "calm" to the trustees. I'm sure that if Kimbro was found in a position where he needed to suck up to a person of influence he would also wear a mask. But none of that really matters to the narrator because in both cases he is below them and thus is allowed to see true face of both characters, admittedly less for Bledsoe. The mask is dependent on the viewer
DeleteKimbro doesn't "need" the mask in the same way that Bledsoe does, and this is a reflection of white privilege. His management style may bear a number of similarities to Bledsoe's actual practice as the president of the college, but part of Bledsoe's job description entails putting on this performance of humility and subservience to the trustees. Kimbro can just be an irascible boss who is despised by all his employees--he doesn't need to pretend.
Delete